If so, you’ll want to check out Spotibot.com, which uses the data of Last.fm to generate a playlist for you. Or tap into you own Last.fm account for more. After giving this a few tries I’m pretty impressed. This will definitely get me to use Spotify more.
Once again OK Go has created a great viral video experience. This time they’ve teamed up with Google Japan, director Trish Sie and Pilobolus (a modern dance troupe) to create All Is Not Lost a tribute/message to post tsunami Japan.
The entire video is shot from below making for some interesting visuals all on it’s own, but add the multi-window tiling of video and you get a crazy kaleidoscope effect. If that wasn’t enough there is the viral/personalization feature where you type a message and OK Go and Pilobolus will write it out with their bodies. Simple concept, great execution.
Technically speaking, the use of HTML for syncing multiple videos is still pretty impressive. Be forewarned that this may be taxing on older computers as I know last year’s video/experience for The Arcade Fire’s The Wilderness Downtown gave my laptop a bit of a work out. For more about how they made the video check out Google’s blog. Regardless of the technology used the most impressive thing is how this all came about as a tribute to a post tsunami Japan.
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Last week Spotify launched in the United States, though It’s been available abroad for years. If that wasn’t enough buzz, invites were hard to come by so congrats if you were lucky enough to get an invite, find a loophole or paid your way in. For those that haven’t had a chance to check it out here’s a quick rundown of the service.
Spotify is a subscription/free streaming music service boasting over 15 million songs in its catalog and offline listening (subscription only). According to Spotify’s promos “Spotify is any song, any album, any time”. I tested out a few of the more obscure bands from my college years and it found most of them that had more than one major label release. Song wise there were more gaps but overall pretty impressive. Their catalog also loaded with new releases, not just forgotten tracks from yesteryear.
The Spotify application is pretty simple and it layout is reminiscent of iTunes and other music apps. Rather then having the play controls front and center, they’re located across the bottom of the app, similar to Grooveshark, which took some getting used to. The search box is located at the top left, hinting that it’s a primary tool for getting around Spotify’s offerings. When using search it returns a list of potential artist, albums and in the main window all the songs that are a potential match. This allows you to go from search to playing pretty quickly.
Despite the top placement of Search the UI seems focused on playlists. To help you get jump started you can import you music and playlists from iTunes. Though beyond the jump-start I don’t see much value with this feature unless you pony up for the premium subscription giving you at-will offline access to your music on your phone. Additionally, located above the playlists is a “What’s new” and “inbox” where you’d find the latest pop hits and music friends shared with you (respectively). Overall it’s a solid service with a large catalog of music that is worth checking out but it does have some issues.
I know Spotify isn’t alone in their pricing model treating mobile as a premium feature. Regardless it still tops my list of issues. Though the app on both Android and iOS are nicely designed they do little more than offer access to music you already have on the device. Streaming and offline access to Spotify’s music are $5 and $10 a month. On the plus side it does offer the ability to sync via WiFi. Who knows this could change as popularity of free services similar to Amazon’s Cloud Player and Google Music gain more traction.
Another issue is how focused the app is on playlists and albums. Honestly I don’t always have time to create playlists and I’m sure I’m not alone in this. They need to add a “genius” feature, basic stations or any sort of lazy mode if only to showcase the vastness of their catalog. Currently, despite having 15 million songs if I can’t think of it, I don’t know they have it or I’m stuck listening to albums which isn’t always what I’m looking for. If you love Pandora’s ability to create an instant playlist based on a single song/artist I’d say stick with Pandora for now.
My last big issue with Spotify is their advertisements. I know they have bills to pay so I’m not complaining that there are adverts in general but they are either three in a row, feature samples from songs I have zero interest in or worse yet fail completely and not time out forcing me to restart the app to continue to the next song. Their ads also bounce around the user interface, great for advertisers, horrible for the user. With advertising it’s all a game of balance and it wouldn’t take much to fix that balance.
There are a few things smaller things they could fix and be easy wins for the service. An iPad version of the app would be welcomed a welcomed addition, especially since the service is so playlist focused the added screen real-estate would be a blessing. The share feature is a nice addition but the method to do so is a bit retro and more obscured than it needs to be.
Though the big issues aren’t enough for me to stop using the service immediately they also don’t drive me to becoming a paid subscriber. The ironic reality is even though two out of three of my issues would be alleviated by subscribing their existence keeps me from wanting to subscribe. I’ve been in the industry long enough to know I’m not alone in this either. Overall, Spotify isn’t dramatically different than other services available (Rdio, Napster, Rhapsody, Grooveshark or even Amazon and
Google’s new music offerings), it does work well and has a huge catalog. Will that be enough for Spotify to convert people into subscribers?
- Huge catalog (15+ million songs)
- Connection with social networks
- Quality search results
- Off-line access (paid)
- No streaming to mobile without subscription
- Off-line access additional
- Playlist/album/search focused
- Obnoxious commercials
- No error detection
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Last night Jawbox performed for the first time together since 1997. They did one song, Savory, live on Late Night with Jimmy Fallon in support of the re-issue of For Your Own Special Sweetheart. Great band. Great song. Would love to see more but Jawbox were very adamant that the reunion was one and done.
Seems they did a few more songs just not for broadcast.
68 (Fallon – web exclusive)
FF = 66 (Fallon – web exclusive)
I’ve never heard of the band Ólafur Arnalds, but this video is astounding. The explosions of color. The beautiful flowing liquid/smoke effects. The visual dance to the melody of the song. Together they make magic.
Back in the day The Crystal Method, Chemical Brothers, Underworld, The Prodigy and others were the captins of cool. Essential parts of MTV’s Alternative Nation’s life blood. Known for both their innovative visuals as well as their hypnotic beats. With their mixing of sources, styles and sounds everything felt new, electronic and energetic. Times and tastes changed, as did their sound. Well looks like 2009 may be come back time.
Earlier this year The Prodigy returned with some new tracks and a new album, Invaders Must Die. The first single, Omen is an updated version of the classic Prodigy attitude and sound. The title track continues that trend, if nothing else it may even have kicked it up a notch. Thanks to the Internets you can rock some samples from ThePodigy.com
The Crystal Method have returned to dropped some new beats as well. Their first single Drown in the Now is a bit more or a departure from the TCM of yesteryear. Visually the video ups the cool quotient, though I need to take in a few more listens before casting an opinion on the new sound. Got to say it’s growing on me. In both cases they sound nothing like any of the other new tracks I’ve been listening to which is refreshing all its own.